I had a whole post full of words. It disappeared. So now, instead, I give you pictures. You can fill in the blanks. Maybe it's better if this peanut gallery shuts up from time to time anyway, yes?
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| Backs. At Givenchy. The fronts were fine, but missing this kind of structured drama. Or something. | 
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| All of it.  Dior took the best pictures, though it wasn't my number one.  Close.  Raf Simons (from Jil Sander) does good.  So good.  Damn. | 
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| What's that mask, Margeila? (Har, har.) These are awesome. Some looks were less awesome. These, though, so refreshing.  Like sparkling lemonade & vodka, sipped out of a black licorice straw, amiright? | 
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| Armani Prive is a wee bit 90s, no?  It's certainly growing on me.  I might be falling in love.  | 
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| And this hardly needs growing.  My favorite from every last collection this couture season. Making it my first favorite. Closer  | 
Valentino, the tops. A whole collection. Wonderful to watch--the pieces move so well--but oddly tricky to collage.
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| Couldn't help but include a few extra dresses in the background, as they were walking away. | 
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| Pleated red cape; bejewelled nighttime peasant gown; satinish sleep pants; black slash like a shadow. | 
Yes.
Sumptuous, but also kinda funereal. Sparkles without sparkling too hard. Every piece is meant to move and, when moving. every piece shimmers. Lots of weight games: gowns and capes that floated, sleeves that seemed to rest just above the skin, and heavy jackets that anchored shit down. Still, rather somber in photographs.
Also loved: Sashes on capes and ribbons, tied at the neck like 90s chokers.
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| Back. | 
Okay, you pick your favorites now, pleasethanks.
Love,
J. Benny










